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Sony a9 II Mirrorless Camera

24.2MP Full-Frame Exmor RS CMOS Sensor
BIONZ X Image Processor & Front-End LSI
693-Point Phase-Detection AF System
Up to 20 fps Shooting, ISO 100-204800
UHD 4K30p Video, Real-Time Eye AF
Blackout-Free Quad-VGA 3.7m-Dot OLED EVF
3.0″ 1.44m-Dot Tilting Touchscreen LCD
5-Axis SteadyShot INSIDE Stabilization
Dual UHS-II SD Card Slots, Voice Memos
5 GHz Wi-Fi, 1000BASE-T Ethernet

SKU: 048011011

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Description

The second generation of speed, the Sony a9 II takes the impressive feature-set of its predecessor and adds enhanced connectivity, a refined body design, and even quicker performance. Utilizing the proven 24.2MP full-frame Exmor RS BSI stacked CMOS sensor and an updated BIONZ X processor, the a9 II sports especially quick and responsive shooting capabilities. And the updated construction now sports a more ergonomic shape, improved weather sealing, and better connectivity and transfer speeds.

Exmor RS BSI Stacked Sensor and BIONZ X Image Processor

24.2MP Full-Frame Stacked CMOS Sensor

Built for speed, the a9 II utilizes a 24.2MP Exmor RS BSI stacked CMOS sensor, along with an updated BIONZ X image processor, that yields impressively quick and responsive performance. Up to 20 fps continuous shooting is possible using an electronic shutter or 10 fps shooting is supported with a mechanical shutter. The sensor’s back-illuminated design also affords high sensitivity to an extended ISO 204800 with reduced noise for clean image quality in a variety of lighting conditions. Additionally, uncompressed raw files can be recorded in 14-bit for greater color fidelity and post-production flexibility.

BIONZ X Processing and Electronic Shutter

The BIONZ X processor also works in conjunction with a high-speed front-end LSI to realize faster processing times along with a wide dynamic range with smooth tonal rendering. Benefitting the fast recording capabilities is an equally quick AF/AE metering system that functions at 60 times per second to continuously evaluate the scene in order to lock onto and track moving subjects. Automatic anti-flicker shooting also recognizes and times the shutter action to minimize the flicker effect for more consistent results on still images. Additionally, due to the use of an electronic shutter, totally blackout-free monitoring is possible with the electronic viewfinder for more accurate compositions of moving subjects.

Autofocus and Image Stabilization

Fast Hybrid AF System

Covering 93% of the image area, a Fast Hybrid AF system incorporates 693 phase-detection points along with 425 contrast-detection areas for quick and precise focusing in a variety of lighting conditions with sensitivity down to -3 EV. The density of focusing points from this hybrid AF system also enables High-density Tracking AF Technology, which is adept at tracking moving subjects in a variety of lighting conditions. Updated AF algorithms also benefit maintaining critical focus on erratically or unpredictably moving subjects.

Lock-on AF maintains focus on moving subjects throughout the use of a configurable frame that is set over the desired moving subject
Expand Flexible Spot employs neighboring focus points to retain focus on moving subjects even if the originally selected point loses focus
Focus frame color is selectable, between white and red, and AF tracking is possible with apertures narrower than f/16 with select lenses when working in Focus Priority mode
Eye AF can be used to base focus on recognized human subjects’ eyes for portraits and is available in both AF-S and AF-C modes, for both stills and video. Eye AF can be used when photographing animal subjects, too, with any focusing mode when shooting stills
Focus Magnifier function can be used for critical focus when homing in on minute subject details
Rear touchscreen can also be used for Touch Focus control, and a Touchpad Focus Control mode lets you use the rear screen intuitively while keeping your eye to the viewfinder
When working in AF-C mode, the focus point can be moved while the shutter button is half-pressed, making it easier to quickly shift focus without losing sight of the action

5-Axis SteadyShot INSIDE Image Stabilization

The a9 II incorporates an enhanced 5.5-stop effective 5-axis SteadyShot INSIDE image stabilization system, which compensates for five different types of camera shake encountered during handheld shooting of stills and video. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake.

For long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will benefit from the inclusion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization.

UHD 4K Video Recording in XAVC S Format

Internal recording of UHD 4K movies is possible in multiple frame rates up to 30 fps and, based on the Super35mm recording area and effective 6K resolution, oversampling renders greater detail and full pixel readout is possible, that is void of pixel binning, for higher quality imagery with reduced moiré and aliasing. Full-frame 4K recording has also been dramatically improved for improved quality when working at mid to high sensitivities to permit full use of the entire sensor width. Full HD 1080p recording is also supported in frame rates up to 120 fps, and both resolutions utilize the 100 Mbps XAVC S format contained within an MP4 wrapper with 4:2:0 sampling. The high-speed, 120 fps recording also enables 4x and 5x slow-motion movie recording with the frame rate set to either 30p or 24p. In addition to high-resolution internal recording, uncompressed HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 sampling.

Refined Body Design

A Quad-VGA OLED Tru-Finder EVF is featured and has a 3.69m-dot resolution and 0.78x-magnification for bright, clear viewing in rich detail, and a dedicated High Quality setting enables a 120 fps refresh rate for especially smooth playback of moving subjects. Additionally, a fluorine coating has been applied to the outermost viewfinder element to benefit cleaning.
In addition to the EVF, a 3.0″ 1.44m-dot rear LCD is also available, which has a touch panel design for intuitive operation and focusing control. The screen also tilts upward and downward to benefit working from high and low angles.

Magnesium alloy chassis assures rigidity, durability, and stability while remaining lightweight. The lens mount has also been improved to better support heavy lenses, and the grip rigidity has been improved for more comfortable hand-holding.
Extensive weather-sealing, including enhanced sealing around the battery cover, terminal cover, and chassis joints, has been employed to resist dust and moisture for reliable operation in harsh weather conditions.
Using the same NP-FZ100 battery as its predecessor, the a9 II’s battery life is rated for approximately 500 shots per charge with the EVF or 690 shots with the rear LCD.
Durable shutter design has been tested for 500,000 actuations.
Compatible with optional VG-C4EM Vertical Grip.

Dual SD memory card slots allow for flexible file saving and handling and can be configured to partition raw and JPEG files or can be used for overflow recording. Both of the card slots are rated to support UHS-II memory cards for faster transfer speeds.
USB 3.2 Gen 1 Type-C port is featured, in addition to a micro-USB port, for faster, more reliable tethering support. The USB Type-C connection allows the camera to be charged from the host power source while connected.
Integrated PC sync terminal for wired flash sync with strobe packs or wireless radio remotes.
Updated Multi Interface Shoe supports working with the optional ECM-B1M Shotgun Microphone or XLR-K3M XLR Adapter Kit, which provide improved, clear audio recording sound by sending a digital audio signal to the camera, opposed to an analog signal.
Both 3.5mm microphone and headphone ports are featured for improved quality and control over audio when recording videos.